Equilibrium by Tiana Clark

Description

Judge Afaa Michael Weaver had the following praise for Equilibrium:

Equilibrium searches for that point where there is a balance, even as the poems display a consciousness and self awareness that belie that balance. The poems negotiate the colossal movement of hearts figuring and being figured by history. This is a voice that knows the intelligence of passion, that moves through and inside the questioning of who we are in the structures of things we give the power to name us until a song sends us out to question the territory. The poet moves with the exactness of math or physics, with the fearful knowledge of careful imbalances that would have us believe in equilibrium, and with the assuredness of art that knows all is change, that the semblance of order is creation, something we are given the gift of imitating in some small way. The poems in this collection summon the largeness, the volume of a voice that disembodies itself in order to search for the love that made it whole.

Tiana Clark

Tiana Clark is the author of the poetry collection, I Can’t Talk About the Trees Without the Blood (University of Pittsburgh Press, 2018), winner of the 2017 Agnes Lynch Starrett Prize, and Equilibrium (Bull City Press, 2016), selected by Afaa Michael Weaver for the 2016 Frost Place Chapbook Competition. Clark is a winner for the 2020 Kate Tufts Discovery Award (Claremont Graduate University), a 2019 National Endowment for the Arts Literature Fellow, and the 2015 Rattle Poetry Prize. She is a recipient of the 2021-2022 Amy Lowell Poetry Traveling Scholarship and 2019 Pushcart Prize. Clark is the 2017-2018 Jay C. and Ruth Halls Poetry Fellow at the Wisconsin Institute of Creative Writing. She is the recipient of scholarships and fellowships to the Bread Loaf Writers’ Conference, Sewanee Writers’ Conference, and Kenyon Review Writers Workshop. Clark is a graduate of Vanderbilt University (M.F.A) and Tennessee State University (B.A.) where she studied Africana and Women’s studies. Her writing has appeared in or is forthcoming from The New Yorker, Poetry Magazine, The Atlantic, The Washington Post, Virginia Quarterly Review, Tin House Online, Kenyon Review, BuzzFeed News, American Poetry Review, Oxford American, The Best American Poetry 2022, and elsewhere. She teaches at the Sewanee School of Letters. She is the Grace Hazard Conkling Writer-in-Residence at Smith College.

Clark is currently working on her next two books, Begging to be Saved, a memoir-in-essays reckoning with Black burnout, millennial divorce, faith, art making, and what lies on the other side of survival; and Scorched Earth, a poetry collection, tracing the complexities of relationship beginnings and endings, loneliness, desire, and joy, which sold to Jenny Xu at Atria.

Cover image: Amy Sherald, Equilibrium, 2012
Oil on canvas, 100 x 67 inches
Collection of the United States Embassy Dakar, Senegal
Courtesy the artist and Monique Meloche Gallery, Chicago